Writing for an animated film is like painting on an infinite canvas—there are literally no bounds. You don’t have to worry about expensive or dangerous stunts, keeping your sets small for the sake of ...
“Well, I think the difference between writing scripts, say live-action, usually … you’re going to the studio, you’re pitching and they’re like, ‘Yeah, make that movie.’ You write it, then the director ...
After years of writing for live action, I took the leap and followed my passion for animation—and everything shifted. If you're coming from live action, animation might feel unfamiliar. But I found a ...
While the coronavirus has shut down live-action production, much of the animation industry continues to operate through remote working. This disparity has caught the attention of the Writers Guild of ...