We often talk about the blues scale, but we don't often talk about the "blue" note and how we get it... With a little knowledge, you can actually add not just one, but TWO blue notes to many different scales or patterns that you already know. I'll show you how it works in the video. The "Boxes" thing I mentioned: http://bluesguitarunleashed.com/pdf/major-minor-blues-boxes.pdf Website - https://BluesGuitarUnleashed.com Premium Courses, Jam Tracks, and Songs - https://bluesguitarunleashed.com/cour
9:44
We often talk about the blues scale, but we don't often talk about the "blue" note and how we get it... With a little knowledge, you can actually add not just one, but TWO blue notes to many different scales or patterns that you already know. I'll show you how it works in the video. The "Boxes" thing I mentioned: http://bluesguitarunleashed.com/pdf/major-minor-blues-boxes.pdf Website - https://BluesGuitarUnleashed.com Premium Courses, Jam Tracks, and Songs - https://bluesguitarunleashed.com/cour
5.8K viewsApr 6, 2022
FacebookBlues Guitar Unleashed
These three notes sit right next to each other, and they’re the reason blues solos sound tense, dirty, and emotional. It’s the flat five, the blues note, rubbing against the notes around it that creates that unmistakable blues-rock feel. Slide into it, hammer through it, or pull off of it, and suddenly your solo sounds alive instead of clean. These notes aren’t meant to sit still. They’re meant to move. | Marty Schwartz
2:30
These three notes sit right next to each other, and they’re the reason blues solos sound tense, dirty, and emotional. It’s the flat five, the blues note, rubbing against the notes around it that creates that unmistakable blues-rock feel. Slide into it, hammer through it, or pull off of it, and suddenly your solo sounds alive instead of clean. These notes aren’t meant to sit still. They’re meant to move. | Marty Schwartz
24.3K views5 months ago
FacebookMarty Schwartz
Be honest: do you ever feel stuck playing the same 5 notes in your blues solos?
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Be honest: do you ever feel stuck playing the same 5 notes in your blues solos?
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